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A Raisin in the Sun Short- Answer Quizzes. Study Questions. 1. Why does Ruth scramble Walter’s eggs, even though he says does not want them scrambled? What does this indicate about their relationship and about whether or not they try to listen to one another? Why does Ruth tell Travis to get his mind off the money that is coming the next day? What does this indicate about Travis? Why does Walter give his son more money than he needs for school? How does this leave Walter, in terms of money he himself needs in order to get to work? A raisin in the sun study questions Raisin in the sun questions pdf. Suggested essay topics and study questions for Lorraine Hansberry's A Raisin in the Sun. Perfect for students who have to write A Raisin. Film; History; Literature. The sun questions pdf study questions, Raisin. Study Questions (Short Answer) 12. Students compare Raisin to Dr. Since A Raisin in the Sun is a play. A Raisin in the Sun Homework Help Questions. A Raisin in the Sun was considered a realistic portrayal of a contemporary problem. Number of questions: Changes are done. Quiz On World Geography Study. A Raisin in the Sun Reading Questions. The stage directions say that the living room in the Younger apartment might he comfortable and well. What does this indicate about Walter’s personality? What rift is indicated between Ruth and Walter when she says to him, “You mean graft?”, when he talks of how he plans to get his liquor store license approved? How does this relate to the state of their marriage? What do you think the significance of Beneatha’s name might be? What words does her name sound like? What might the author be conveying about Beneatha and her effect on other people by giving her this name? If you were to draw a conclusion about why Walter is so concerned with how much money Beneatha’s schooling will cost. Aside from his wanting money for the liquor store, what might it be? Why might he be so resentful of his sister wanting to continue her education so far as to go to medical school? Why do Ruth and Walter refer to themselves as “colored,” rather than “black”? What personal struggle of the deceased Mr. Walter Younger’s is indicated in the following dialogue: Ruth: Ain’t nothin’ can tear at you like losin’ your baby. Mama: I guess that’s how come that man finally worked himself to death like he done. Like he was fighting his own war with this here world that took his baby from him. Why do Mama and Ruth burst out laughing when Beneatha says “Me!” in response to their question about what it is that she wants to express with all her hobbies? What does this indicate about the times the play takes place in? Why does Beneatha refer to her mother as a tyrant? Do you agree or disagree that this term describes Mrs. Why or why not? Answers. The level of miscommunication that exists between husband and wife is suggested in Ruth’s scrambling Walter’s eggs after he says “not scrambled.” It will be seen throughout the play that a lack of communication occurs many times between Walter and Ruth. We can see that Travis has some of the undesirable attributes of his father. While he wants to be a man like his father, which is to be expected, nevertheless he has some of the very materialistic values of his father. Walter gives Travis more money than he needs for school that day partially to counter what his wife did in denying they could spare it (reflecting again the miscommunication between husband and wife), and partially out of pride, in that he doesn’t want his son to feel they can’t afford it. It can be seen that this.. A Raisin in the Sun: Novel Summary: Act 1, Scene 1. Average Overall Rating: 4. Total Votes: 5. 57. Plot Summary with Analysis. The title for A Raisin in the Sun is taken from a line in the Langston Hughes’ poem, ? It is also possible to see that they have been chosen . There is only one window. On the left, a door leads to a bedroom which is shared by Mama (Lena Younger) and her daughter, Beneatha. Opposite this is a second room, which probably used to be called a breakfast room and is now a bedroom for Walter (Mama’s son) and his wife Ruth. It is somewhere between World War II and the present, 1. Chicago’s Southside. It is morning and Travis – the son of Walter and Ruth – is asleep on a . An alarm clock rings and Ruth comes out of her room into the living room. As she passes her sleeping son, she shakes him a little. She raises the shade and a dusky morning light comes in feebly. She calls to the boy . She is aged around 3. He sits up at last and is described as . He goes to the bathroom out in the hall and it is explained in the directions that this is shared by . She reminds him that if he does not use the bathroom after Travis, Mr Johnson will be in there. The fourth time she tells him she starts to go into their room and then returns to the kitchen apparently satisfied he is rising. He comes out in his pajamas, . With this, she starts to scramble eggs. He looks at the newspaper and says how another . He then complains about Travis taking a long time and says he should get up earlier. She responds by turning on him: . He points out how people are . He then tells her she is looking young this morning, just for a second, and she tells him to shut up and leave her alone. At this point, Travis comes out of the bathroom and Walter leaves the living room to go in after him. Analysis – Act One, Scene One. The stage directions emphasize how the Younger family live squashed into a small apartment. Four adults and one child live here and Travis has to sleep in the living room. The only light, which is described as feeble, comes in from one window and this highlights further how the family are living in restricted circumstances. The strained relations between husband and wife (Walter and Ruth) are made evident as they snap at each other and this is seen to be worsened by the cramped conditions. They argue about getting up in time to use the shared bathroom and how Travis is kept awake when Walter talks to his friends. Their antagonism towards each other is also shown when Walter’s voice is described as always having a . This check is of great importance as it potentially offers the family an opportunity for change. When Travis returns from the bathroom, he sits down and gleefully mentions how the check is coming tomorrow. Ruth tells him to take his mind off money and he says how he needs 5. She informs him that she does not have it and he wonders if his Grandmama or father will give it to him. She tells him to be quiet and he is for several seconds, but then asks if he could carry some supermarket groceries for a little while after school. She orders him to be quiet and he jabs his spoon into his cereal bowl . She tells him to make up his bed and he obeys stiffly. Travis turns to leave with . He turns to her and when she laughs he crosses to her and allows her to embrace him. She says it is cold in the evening and Walter enters at this point and asks what Travis wants to do. She explains and Walter says she should let him. Travis spots an ally and explains he has to as . Walters asks why and she says it is because they do not have it. He then asks why she is telling him this and he gives Travis the money . She watches both of them with . He suddenly reaches into his pocket again and without looking at his son he gives him another 5. Travis leaps up and clasps his father around the middle with his legs and . Walter slowly looks round to his wife and he catches . He draws his head back as if he has been shot. When Travis leaves, Walter tells Ruth what he and Willy Harris were talking about last night. She says immediately (as a refrain) that Willy Harris is a . He reminds her that she said the same about Charlie Atkin. He had wanted Walter to go into business with him in his dry- cleaning firm and is now grossing over $1. She folds her head on her arms and he rises and stands over her. He says how she is tired of everything. She does not look up or answer and he continues and says she moans and groans all the time, but . He says a man needs a woman’s support and that Mama would listen to her. Walter then demonstrates how Ruth should let Mama know about the deal and he will give her the details of the proposition that he, Willy and Bobo have figured out. It costs $7. 5,0. She asks if he means . He straightens up and says, . Man says to his woman: I got me a dream. His woman say: Eat your eggs.’ He repeats this point two more times and brings his fist down on his thighs. He says how this morning he looked in the mirror and thought how he is 3. Very quietly he says that all he has to give him is . So – I would rather be living in Buckingham Palace.’ He says that this is what is wrong with . She is hurt and says how there are . He mumbles that he is of a group of men, . Walter blames Ruth for quashing his ambition, and yet Ruth’s caution may be understood as having its roots in pragmatism and in the limited opportunities available for the African American in a racist society. When interpreting their argument in relation to the title, however (which claims that the deferral of dreams leads them to shrivel like a raisin in the sun), Ruth’s limited yet practical view may be interpreted as unwittingly contributing to the effects of racism. Beneatha enters and is described as being 2. Her speech is a mixture of . Walter asks how school is coming on and she becomes impatient as he keeps asking her this. She plans to be a doctor and he asks if she knows yet how much this will cost. Ruth tells him to leave Beneatha alone and he mentions to Beneatha about the check that is coming tomorrow. Beneath turns on him with sharpness and says it belongs to Mama, and so it is up to her to decide what to do with it. Walter replies bitterly that she is . Beneatha says she has never asked anyone around here to do anything for her and he implies the line between asking and accepting is not wide. After Beneatha asks him if he wants her to quit school or drop dead, he tells her to stop acting holy and points out that he and Ruth have made sacrifices and asks why she cannot do something for the family. She drops to her knees to thank everybody and asks to be forgiven. He slams out and then returns and says he needs money for the carfare. Ruth teases him with warmth and gives him 5. He exits and Mama enters. She is in her early 6. She opens the window, brings in a feeble little plant, feels the dirt and puts it back on the sill. She moves to Travis’ bed that he has . Ruth says he does not try at all as he knows Mama will . Mama replies that he is a little boy and then asks what she fixed for his breakfast. Ruth is furious and tells her she gave him hot oats. Beneatha leaves for the bathroom and after asking what the fuss was about earlier, Ruth tells Mama that she knows as well as she does. Ruth asks what she plans to spend the money on and says how Walter has his heart set on the store. When Mama says they are just . She notices Ruth looks sick and tells her to stay off work, but Ruth argues that they need the money. The conversation returns to the check, which is for $1. Ruth says she should take a trip with it and forget about the family. Mama throws her hands up at this idea. She lets Ruth know that she has not fully decided yet, but some will go towards Beneatha’s fees and is thinking of getting a two- story house somewhere with a yard for Travis to play in. Some of the insurance money could be used as down payment and they could all chip in. Beneatha is introduced in this section and from the outset we are told that she is the educated one in the family. As with Walter, she has ambition and it is telling that he attempts to quash her dream in favor of his own. When he argues that she should become a nurse or marry as other women do rather than become a doctor, he plays his part in trying to defer the dream of another. At this stage, he is unable to see that her aspirations are as valid as his and he uses patriarchal thinking as a framework for his argument. Their mother, Lena (who is mostly referred to as Mama throughout the play), also appears for the first time here and her first action involves tending the feeble plant on the window sill. Her care for this plant is a significant motif of the play and this comes to symbolize hope against adversity. While Ruth does the ironing, she studies Mama furtively and says how they have paid enough rent for this . Mama becomes reflective and remembers the day she moved in with Big Walter. They had only been married for two weeks and did not plan to stay for more than a year. They dreamed of moving to Morgan Park, but it never happened. Ruth keeps her head down and says, . Mama recalls the time she lost a baby, little Claude, and how her husband was so down she thought she would lose him too. She supposes that this is why he worked himself to death: . Mama and Ruth look up with the same expression and Mama criticizes her for flitting from one thing to another (such as horse riding, drama and photography). Beneatha says she does not flit and claims she is experimenting with different forms of expression. When Mama asks what it is that she wants to express, she replies angrily, . She says she is seeing George Murchison again, but adds that she thinks he is shallow. Ruth points out that he is rich, but Beneatha says she would not understand (as she married her brother). Beneatha explains she would not marry George and his family would not like this either: . Mama agrees and adds, . Beneatha says drily that God has got nothing to do with it. After being reprimanded, she tells them she is sick of hearing about God. |
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